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The Latest News on Acoustic Speaker Cloth – and Us

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DIY acoustic pictures

So-called acoustic pictures for home use are very much in vogue. These sound-absorbing elements improve the acoustics of a room by eliminating unwanted sound reflections, and they can look good too.

The good thing is that there’s a quick and inexpensive way of making them as a DIY project: The first step is the construction of a wooden frame with an edge height of about 5 centimetres. Then, a special acoustic foam such as Basotect is tightly inserted in the frame. Finally,  the front of the entire construction is covered with an acoustically transparent fabric, such as Acoustic Cloth.

Akustikstoff.com fabrics are particularly robust and elastic, which ensures easy processing in the DIY workshop. Our Youtube channel provides a number of practical tutorials that apply to loudspeaker frames as well as for acoustic pictures.

akustikbild oder schallbild aus akustikstoffHave a look at the photos one of our customer has kindly provided to give an impression of how good such DIY acoustic pictures with our Acoustic Cloth can look in a room. Thanks to a choice of 42 colours and a further nine metallic shades, there are no limits to creativity here.

Of course, you can give your DIY sound pictures a further individual touch by painting them with suitable textile colors. Just make sure that the colour doesn’t clog the pores of the acoustic fabric.

To fix the textile colours, the polyester speaker fabric can be ironed at up to 175 ° C. Simply put a piece of thin, flat cloth between the Acoustic Cloth and the iron. It makes some sense to mount the fabric on the frame only after fixing the paint. If you do so, make sure that the picture isn’t spoiled by uneven tension. And if this appears to be too tricky,  you can also mount  the fabric on the frame first, then paint it like canvas on a stretcher frame, then fix the colors by ironing from behind, and finally insert the acoustic foam tightly in the frame. Just make sure not to paint the areas of the Acoustic Cloth that are right on top of the frame, as you cannot iron these areas properly afterwards.

Please note that  due to its water-repellent and stain-resistant properties, Acoustic Cloth 2.0 is not suitable for painting.

New Top-drawer Studio Relies on Our Acoustic Cloth

Akustikstoff von www.akustikstoff.com im Studio A der Kung Fu Studios Berlin (Marek Pompetzki)The newly opened Kung Fu Studios in the hip Berlin neighbourhood of Kreuzberg are the latest top address for world-class hit productions made in Germany. Replacing the former Numarek sound studios, the new recording facilities are the residence of Marek Pompetzki, Paul NZA, and Cecil Remmler—presumably today’s most successful producer team in Germany.

The trio has ranked among the German top producers for several years now, and the three guys churn out productions that do not have to shy away from comparison on even the highest international level: The sound of German rapper Sido bears the mark of Pompetzki & Co.  just as much as countless other recordings by artists such as Miley Cyrus, Kelly Rowland, Nico Santos, Max Herre, Cassandra Steen, Deichkind, or Ivy Quainoo … the list could go on for a while.

Akustikstoff von www.akustikstoff.com im Aufnahmeraum der Kung Fu Studios Berlin (Marek Pompetzki)Recording technology and acoustics at the Kung Fu Studios meet the highest technical standards, of course. At the same time, the premises provide plenty of room for creative work and offer a convincingly appealing, pleasant work environment.

Akustikstoff von www.akustikstoff.com im Studio D der Kung Fu Studios Berlin (Marek Pompetzki)It goes without saying that the producer team also insisted on highest quality when it came to choosing the sound-transprent cover fabric for the acoustic cladding elements and absorbers in the recording and control rooms. That’s why they chose Acoustic Cloth by Akustikstoff.com in fig, anthracite, and other colours.

If you want to know more about the new sound studio, check out this interesting tour on Youtube.

Akustikstoff von www.akustikstoff.com im Studio B der Kung Fu Studios Berlin (Marek Pompetzki)

Opacity of Speaker Fabric – Technical Basics and Best Practice

You can’t eat the cake and have it:
Why an acoustically transparent fabric can’t be 100 percent opaque

“Is your Acoustic Cloth really opaque?” That’s a question our customers ask quite frequently. After all,  speaker fabric from Akustikstoff.com is primarily used to hide loudspeakers, AV equipment or whatever else as elegantly as possible without impairing acoustic transparency.

Strong contrast leads to marking with any acoustically transparent fabric.

Marking with acoustically transparent fabric: a deep black background remains somewhat visible under white speaker fabric.

The theoretical ideal is obvious, of course: absolute acoustic transparency plus absolute opacity (i.e., the opposite of transparency) at the same time. Unfortunately, the laws of physics counteract this ideal, since both sound and light are waves – temporal and local periodical changes of a physical quantity in the dry language of physics.

 

It’s all about waves

As sound propagates through the mechanical deformation of a medium, in our case by changes in air pressure, everything that is in the way acts like a kind of barrier: It is moved itself and starts vibrating, this way absorbing energy from the impinging waves, and it reduces the amplitude, i.e., the magnitude of the oscillation. That’s why a completely closed, airtight surface always attenuates sound waves. Depending on the material, the sound is “swallowed” by resonance and usually reflected or diffused to a certain degree at the same time.

Put the other way round, high acoustic transparency is simply impossible without openings, through which air – and thus the sound – can penetrate. Even the smallest apertures, however, can also be penetrated by visible light, which has a much shorter-wavelength. This effect can be experienced in a striking manner in a completely darkened room as soon as the door does not close completely on all four sides of the door frame.

 

Crucial: the higher frequency range

Insufficient acoustic transparency is most noticeable in the higher frequencies within the normal range of human perception: the short-wave, low-energy high frequencies and high mids are attenuated first, while energetic, relatively long-wave bass frequencies are noticeably less hindered. In practice, this means that unsuitable or inferior cloth for acoustically active elements usually eliminates exactly those acoustic frequencies that are of utmost importance for a sophisticated, well differentiated sonic image.

 

Exploring the limits of physics

The secret of high-quality Acoustic Cloth is that it lets sound waves pass through virtually unimpeded but blocks the light waves as much as possible. At Akustikstoff.com, we’ve performed a lot of research and development work to get this physical balancing act done in the best possible way. Nevertheless, it is in the nature of things that both objectives can’t be achieved to the full at the same time. In addition, there’s a third, no less important aspect to be considered in the development of loudspeaker cloth, and we’ve put quite some effort in it: robustness. That’s why all covering fabrics from Akustikstoff.com are remarkably durable and are very easy to process while they feature the highest possible opacity and excellent sound transparency. We’ll go a bit more into details on this in a separate article in the near future.

 

The opacity of dark speaker fabric is higher than that of brightly-coloured speaker cloth.

In pure incident light, dark colours tend to be more opaque than bright colours. Here in comparison: black and white.

Three typical problems with acoustically transparent fabrics

Typically, problems with the opacity of acoustically transparent covering fabrics occur when there’s a strong contrast between a speaker cloth in a light colour and rather dark objects behind it, when there’s light from behind, and when a source of strong incident light is pointed directly at the surface of the Acoustic Cloth.

 

Decrease contrast, increase distance

The most important measure to prevent translucency is to keep the contrast between the covering fabric and the objects behind it as low as possible. It is worthwhile, for instance, to varnish the cover frames and fronts of speaker cabinets and sound absorbers, in matt white if they are to be covered with white acoustics.

In addition, a larger distance between the background and the Acoustic Cloth helps prevent translucency. If, however, the speakers installed in a white housing have pitch black diaphragms, these will nevertheless remain visible under most lighting conditions. In some cases, this may even be desired since the effect can also be very elegant depending on taste and design. A similar transparency effect may occur with absorbers: If grey absorber material (think Basotect®) is covered with a piece of white Acoustic Cloth, the surface will often not appear in pure white, but rather in light grey.

Contrast of black and white with speaker cloth

The two pieces of speaker fabric illustrate the intensive contrast of black and white. However, the contrast between black and yellow is even stronger.

Contrast of black and yellow with Acoustic Cloth from Akustikstoff.com

The strongest contrast: black and yellow – in this case illustrated with two pieces of Acoustic Cloth from Akustikstoff.com

By the way, the contrast between black and yellow is even stronger – hence the colour combination of yellow and black for safety markings.

 

Avoid translucency from behind

A certain degree of optical transparency remains unavoidable if acoustically transparent fabric is exposed to backlight: Similar as with a curtain, the contours – or even more – of objects placed behind a piece of Acoustic Cloth will become recognizable if light is permeating the fabric directly from behind. This problem occurs mainly with AV furniture such as soundboards, soundbars, and lowboards. To avoid this “curtain effect”, place your AV furniture cleverly to prevent daylight from shining through and don’t put any artificial light sources behind the furniture.

 

Strong incident light leads to transparency

Strong, bundled light that is directed right at the front on the speaker fabric can also lead to transparency effects: The light penetrates the Acoustic Cloth, is reflected by the objects behind the cloth in the opposite direction, permeates the fabric again and this way leads to a certain degree of transparency. Such effects can be prevented by not pointing any light source directly at the fabric, rather using diffuse light, and ensuring a lateral light incident.

 

Heavy stretching makes speaker cloth increasingly less opaque.

The “curtain effect”: The higher the tension under which the elastic speaker fabric was mounted, the more transparent the speaker cloth becomes. The photo shows a piece of heavily stretched Acoustic Cloth with bright sunlight from behind.

Mind the tension                

The tension that is applied when processing our acoustic fabric is has a considerable influence on its optical transparency: The more intense the elastic fabric is stretched, the wider the meshes become. While heavily stretching a meshed fabric may improve its acoustical transparency (you won’t really need to do this with Akustikstoff.com Acoustic Cloth, as the utmost sound transparency was our primary design objective), it also changes the opacity of the material. This can lead to the so-called “curtain effect”: especially in the case of backlight, the fabric becomes progressively less opaque with growing tension. In such a case, it is necessary to experiment somewhat before final assembly.

 

Use two layers?

Depending on the application, it may be possible to use two layers of Acoustic Cloth to improve the opacity of the speaker fabric. The acoustic losses, an additional reduction by approx. 1-2 dB at approx. 8-9 kHz, are well within the acceptable range. Even if you use two layers of our Acoustic Cloth, acoustic transparency remains distinctly higher than that of other single-layer materials*. However, it is necessary to work very carefully in order to avoid the dreaded moiré patterns that the fine structures of the fabric may cause when they’re spatially overlapped. To a certain extent, this can be avoided by using the more structured surface of the fabric as the outer side at the front and the second layer with the slightly smoother side outwards. Then twist the two layers of fabric against each other until the moiré effect disappears. Again, some experimenting prior to the final fixation of the speaker fabric will ensure an optimal result.

*Schmid, Johannes: “Messungen zur akustischen Durchlässigkeit verschiedener Textilien“. Jade Hochschule University, Oldenburg, Germany, September 2015

Akustikstoff.com at Musikmesse 2017

musikmesse2017Visit us at Musikmesse 2017 in Frankfurt, Germany, on 4 – 8 April.

You’ll find us in hall 9 on level 0 in the Professional Media Solutions section of the Erwin Strich ES-ProAudio joint stand F40.

Musikmesse provides an ideal opportunity for a first-hand impression of our acoustic fabrics in all available colours and variants. Professional Media Solutions will also display several demonstrative application examples equipped with our speaker cloth.

Why not drop by at our stand, discover numerous applications of our speaker fabrics in a professional sound studio environment, and receive a complete sample swatch with all new colours that will be available just in time for the fair?

We are looking forward to meeting you in hall 9.0 at stand F40 and to a stimulating conversation!

Add a Touch of Individual Colour!

akustikstoff-custom-as-colourful-as-natureSpring has come and is getting us all in the mood for fresh and vibrant colours. We’ve drawn on the colour explosion around us to come up with something as diverse as a flowerbed: Acoustic Cloth Custom, the acoustic fabric dyed in the colour of your choice. 

Forget about colour limitations when you’re looking for a quality acoustically transparent fabric for speaker grilles as well as for AV furniture and wall panelling in sound studios, showrooms, and exhibition booths! Simply have the fabric dyed in the colour your design concept requires.

Our Acoustic Cloth Custom meets the needs of any studio designer, exhibition stand builder, and interior designer: The fabric makes it possible to design rooms and exhibition booths in the clients’ corporate colours without any compromise, because Acoustic Cloth Custom is dyed according to your colour specifications.

Acoustic Cloth Custom is the speaker fabric that perfectly suits your individual colour and design concept for all speakers, absorbers, diffusors, and acoustically transparent panels. Wherever an acoustic fabric of outstanding quality  is required, Acoustic Cloth Custom ensures a unique and harmonious appearance – with all the beneficial properties that characterise our products. When you choose Acoustic Cloth 2.0, the fabric is even stain-resistant, water-repellent, and flame-retardant.

All Pantone™ TC and TCX colours can be applied – making it possible to reproduce virtually any colour. And even better: Your individual colour is available from as little as a single roll of 46 metres. 

We’re Proudly Presenting Our New PA-Type Acoustic Cloth

PA-Akustikstoff-MusterProduct development and engineering took their time, but it was worth every effort: Today we have launched our new product line – PA-Type Acoustic Cloth. The guiding principle in the development process was to consistently meet the high demands of live sound speakers and instrument amps in terms of ruggedness and robustness without compromising the unparalleled acoustic transparency that has gained our acoustic cloth an outstanding reputation with many high-end hifi manufacturers.

Ideally Suited for All Live Sound Applications
PA-Type Acoustic Cloth boasts the same great acoustic properties all our types of speaker cloth are renowned for. This means that our new PA-Type Acoustic cloth puts an end to any loss in the transmission of high and mid frequencies caused by acoustically questionable foam plastic speaker front covers (which, on top of that, usually tend to crumble once the plasticisers have dissolved). It also says good bye to those unsightly metal grids that may be practical but easily turn a speaker array into an eyesore. And who actually said that PA systems always need to come in that dreary uniform black? From now own, there’s a choice of 13 great-looking colours for all PA-speakers, sidefills, and monitors – from modest vintage hues all the way to shiny colours that make possible a deliberate stage design with accent colours.

PA-Akustikstoff-on-LucasPA-Type Acoustic Cloth is the perfect choice for new speakers as well as for the refurbishment of speaker fronts that have become a bit long in the dent.  A first example ist this pair of sattelite speakers from a Lucas compact PA system. We used a metal brush to remove the scruffy foam plastic  from the metal grid below, then we re-covered the grid with PA-Type acoustic cloth. The whole process took less than thirty minutes. We will blog a photo documentary of all work steps shorty – stay tuned!

Better Look and Better Sound for Many Instrument Amps
How come that virtually all combo amps, amp heads, and speaker cabinets whose name doesn’t start with an F or a V come with a completely uninspired black front? And who claims that all those noble boutique amps require a speaker cloth whose look and muffled sound instantly reminds you of granny’s old steam radio? Why not introduce a splash of colour and make things a little more individual? On top of that, the excellent acoustic transparency of PA-Type Acoustic Cloth makes most combos and speaker cabinets sound more authentic. The complex sound of vintage speakers, for instance, won’t be deprived of its sweet highs and mids; everything sounds more open and transparent. We will put a couple of examples online within the next couple of weeks.

PA-Type Acoustic Cloth is now available off the roll in our online shop. You can also order a sample swatch with all available colours free of shipping costs.

Impressive ESS AMT1a Restoration Project

What an amazing restoration job: Thierry Martin from France spared no effort to restore two ESS AMT 1a  back to their former glory.  Take a few minutes to have a look at the extensive photo documentation Thierry put online. It’s well worth it.
We must admit that we are a little proud of having made a small contribution to this great restoration job, as Thierry chose our acoustic cloth to dress his two AMT 1a adequately.

Bespannstoff-Produktion und Versand laufen auf Hochtouren

Nachdem im August die Färberei Werksferien hatte und ich selbst ebenfalls eine kleine Auszeit genommen habe sind nun wieder alle Regler voll aufgedreht und der Betrieb läuft auf Hochtouren. Während der Ferien und meinem Standby Betrieb sind keine Aufträge liegen geblieben und alles lief wie geplant. Auch nach den Ferien ist wieder eine hohe Verfügbarkeit der Bespannstoffe gewährleistet und auch größere Aufträge konnten sofort ausgeliefert werden. Bleibt für mich festzustellen, dass es durchaus möglich ist mit der entsprechenden Vorbereitung auch mal wieder in Urlaub zu fahren. Wiederholung ist keinesfalls ausgeschlossen.  😉

Shopstruktur umgebaut

Es gibt Tage an denen zweifelt man wirklich an seiner eigenen Vernunft. Bei mir waren die letzten Wochen geprägt von vielen Umbauarbeiten im Lager, im Online-Shop, im Rechnungsprogramm, eben an all den Strukturen die jetzt einige Zeit wirklich gut funktioniert haben und die man getrost als bewährt bezeichnen konnte.

Die Umbauarbeiten waren nötig geworden, weil ich in einem Anfall von Wahnsinn beschlossen hatte meine Kapazitäten zu erhöhen und gleichzeitig auch mein Sortiment zu erweitern. Der Lagerausbau war klar, das musste sein und das wusste ich. Was ich nicht wusste war, dass mit der Erweiterung der neuen Farben für den Bespannstoff plötzlich die gesamte Bedienbarkeit meines Online-Shops hinüber war. Nachdem ich die neuen Farben in die bisherige Struktur eingepflegt hatte, war der Shop eigentlich nicht mehr zu bedienen. Also musste ich wohl oder übel das ganze bisherige bewährte Konzept über den Haufen werfen und wirklich alles neu aufstellen. Ich dachte zwischendrin wirklich mal kurz darüber nach, einfach den Kopf in den Sand zu stecken. Naja, jetzt läuft seit einigen Tagen wieder alles in der normalen Spur, das Ding ist wieder bedienbar und die neuen Farben sind quasi unauffällig im Shop integriert.

Mein Lager ist fast fertig

Vor einigen Tagen hatte ich schon davon berichtet, mein Lager für Akustikstoff muss dringend erweitert werden. Alles in allem muss die Kapazität annähernd verdoppelt werden um dem Anspruch der hohen Lieferfähigkeit gerecht zu werden. Mit der Hinzunahme der neuen Farben war die Erweiterung sowieso überfällig. Also etwa 150meter Rahmenhölzer bestellt, einige Pressspanplatten organisiert und los ging es mit dem Ausbau. Alles in allem eine chaotische Zeit zumal der Versand und die Produktion in dieser Phase ganz normal weiterliefen. Jetzt fehlen eigentlich nur noch ein paar Platten und dann habe ich Kapazität für ca 10.000qm Akustikstoff zu lagern und erhalte mir so meine fast 100 prozentige Lieferfähigkeit für alle im Sortiment befindlichen Bespannstoffe.